| Valdottavo
Reminiscences
We have now finished our 4th year, and far from growing stale, the project
continues to grow and develop. When I arrived, I was so tired that I slept
for 3 hours each afternoon for the first 2 or 3 days. Energies revived
as the Valdotteenies* started to arrive - mainly old hands, but we did
have a couple of new ones in the first week (two young violinists) and
one in the second (not counting the two late arrivals, of which more later).
They now turn up at Le Vigne (the “student” hostel) and immediately
start to colonise the place along familiar lines. No room squabbles as
such, but the odd one does step out of line. Lev got the room between
cooker and fridge by arriving 5 minutes too late; the eventual outcome
is not known.
Even with the assiduously courted violinists, we were rather light on
musicians in the first week, but it didn't matter. The innovation this
year was chamber music coaching sessions by Lev in the afternoons. After
the first 3-hour session on Tuesday, Marian (our friend who was helping
Sophie with the cooking) said that they were all on a roll. My personal
bonus was that, because there was no "proper" viola player in
the 1st week (in the 2nd, there were 2), I got to play this much maligned
instrument**. Even on my £40 cardboard viola (actually wood, but
at that price, including bow and case...) I managed to astound and delight
onlookers with my rendition of a Bach cello suite (they do need to humour
me). We actually did some excellent music this week; there were also excellent
other diversions. Cousin Joyce and family stayed with David, the American
artist who lives up the hill, so the boundaries became even more blurred.
David has now accepted our annual invasion with good grace, and, inter
alia, books our restaurants for us (and even joins us on occasion).
Wednesday was free - which meant that everybody went off, including family,
leaving me to pursue my project of reading up on the History of the 20th
Century.*** Thursday night was our traditional bring-a-plate party night.
It also brought John Asher, an ebullient Scot, who organised a barn dance
and got us all bumping into each other until we dropped from exhaustion,
and then entertained us until 1am with the Scottish equivalent of Eskimo
Nell****, albeit (this is conjecture, because it was in a language nobody
could understand) slightly less scatological. On Friday, we (i.e. David)
booked a table for 24 (there were a lot of hangers on) at the Osteria
in Borgo. Alberto, overwhelmed by numbers (and our rather chaotic appearances
last year), just cooked us a menuless meal and let us get on with it.
There were no complaints.
The second week, as always, was rather different. There were no spare
people (i.e. non-musicians) in Le Vigne to organise the food and keep
people in check. There were far more musicians - 17 in all, with David
taking the overspill - so we had something approaching a full chamber
orchestra. Logistics for the afternoon chamber sessions were thus more
complex, but handled adroitly by the excellent if under-appreciated Liz
Mullen. Lev and Philip (the two best musicians) took Monday PM off for
their standard jointly-efforted meal, as always a virtuoso affair, and
served 8-pm Italian time (i.e. about 9.30). Tuesday was an endless saga
of missed flights and trains by daughters Danny and Kali, eager respectively
to join and to leave the fun. No more transport was missed thereafter
- although Liz Mullen, loth to leave before Siegfried had completed his
Idyll on Friday morning, got her flight only because willing hands threw
her and her luggage onto separate compartments on the train to Bologna
with 30 seconds to spare; we have since heard that they were reunited
and arrived safely.
Thursday was the high point. Richard the oboe deserted us on Thursday
morning, leaving us bereft. But now, the serendipitous master stroke took
place, in the person of Pina who, with Luigi, the local opera singer turned
stone mason, turned up at David's and was promptly sent down to us for
some musicianly bonding. Pina, who is a professional currently playing
at the Puccini festival in Torre del Lago, immediately unleashed her violin
and proceed to lead the seconds. Her oboe friend Stefano, who joined us
with Pina for the concert in the evening, then filled the oboe gap left
by Richard. Pina announced that she would play with us every day the following
year. I surmise that there will be a significant increase in the amount
of Italian spoken next year, as the men and women of our enterprise seek
to converse with their respective would-be paramours. The concert itself
was an overwhelming success, and we were all deeply moved by the generosity
and enthusiasm of the welcome given us by the villagers. A side show -
the local precocious teenage girls, and the less-than precocious teenage
boys entertaining themselves and us with gramophone-less singing and dancing
– wound up the evening, or would have done had we not afterwards
struggled up the hill to Le Vigne for a final cards session. It is surprising
what hidden talents are revealed by such an exercise. Lev was seen wending
up the hill to David's around 4am - and was there bright and (fairly)
early for the final Friday session.
Friday finally closed (minus the by-now-emplaned Liz, and the previously
departed Richard) with another meal for 24 (this time largely from our
own ranks, plus David and Annette*****) in San Graziano. I finished this
piece lying peacefully on the table in the studio, the timbers still resonating
to the echoes....
* There used to be an advertising campaign in the 50s by the makers of
Ovaltine, a bedtime drink. Children were meant to join a club, and were
called the Ovalteenies.
** A couple of viola jokes:
1. Clef: something to jump from before the viola solo.
2. Q: Why can't you hear violas on CD recordings?
A: Digital recordings cut out unpleasant background noise!
*** J.M. Roberts: Twentieth Century - excellent,
by a traditional historian who nonetheless manages a global perspective.
**** A 40-or-so-verse scatological poem, normally improvised
***** Annette the American artist, as opposed to Annette the flute!
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